CONTENTS

MOVING INTO PICTURES

ANALYSIS OF STYLE IN THE CINEMA

LET A HUNDRED FLOWERS BLOOM: FILM FORM, STYLE, AND AESTHETICS

THE EARLY DEVELOPMENT OF FILM FORM

WHITE SLAVES AND CIRCUSES: THE PURSUIT OF THE SENSATIONAL

1978 FIAF CONFERENCE AT BRIGHTON

FROM CALIGARI TO WHO?

STERNBERG’S HEART BEATS IN BLACK AND WHITE

FANTASIES OF FLYING

WHAT WE CAN LEARN FROM THE FIRST TWENTY YEARS

THE SPACE NEXT DOOR

THE PHYSICIAN OF THE CASTLE

WHAT WENT WRONG WITH MEDIA STUDIES?

VITAGRAPH FILMS — A TOUCH OF REAL CLASS

WAS RALPH INCE MINOR?

PETER PROUD — ART DIRECTOR

SNOW WHITE MEETS GIOVANNI MORELLI

COUNTING IN ONES & TWOS

WHAT IS WRONG WITH THIS PICTURES?

THE WORLD INSIDE CECIL B. DEMILLE

THE WORLD INSIDE ERNST LUBITSCH

FROM GERMAN STAGE TO GERMAN SCREEN

FRITZ LANG’S DIAGONAL SYMPHONY

“LES YEUX PAR ICI!”

THE BEST OF THE REST 1906-1916

THE ACHIEVEMENTS OF THE EARLY BRITISH FILM-MAKERS

THE STYLE OF EARLY ITALIAN PICTURES

HISTORY OF THE AMERICAN CINEMA

FILM LIGHTING IN 1913

EARLY GERMAN FILM: THE STYLISTICS IN COMPARATIVE CONTEXT

... FILM IN A LIFEBOAT?

THE STYLISTIC ANALYSIS OF TELEVISION DRAMA PROGRAMS

ACTING IN THE MOVIES — AND ELSEWHERE

UP AND DOWN AND BACK AND FORTH

CUT AND SHUFFLE

FILM STYLE AND TECHNOLOGY IN THE NINETIES

THE SHAPE OF 1999

HOW TO LIGHT A MAX OPHULS FILM

SOME NOTORIOUS CHEATING

PLOTTO

THE GREAT PLOTTOIST

THE NUMBERS SPEAK

D.W. GRIFFITH SHAPES SLAPSTICK

TECHNICAL GLOSSARY AND INDEX

INDEX OF FILMS AND STAGE WORKS

INDEX OF PEOPLE AND COMPANIES

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